Raiders Of The Pop Charts - Parts 1 & 2

Product Information

The Beat (known in the United States and Canada as The English Beat and in Australia as The British Beat) is a band founded in Birmingham, England, in 1978. Dutch producer better known as a remixer to the stars gives the Dame's 1984 single a go for the hell of it Nottingham singer-songwriter in the James Morrison mould, only one charting single despite Radio 1 and 2 support Love Plus One" is a 1982 single by the British new wave band Haircut One Hundred from their debut album Pelican West. New!!: Raiders of the Pop Charts and Someone Somewhere in Summertime· See more » The Beat (British band)

Though given how auspicious the week was, probably not all the records that went out given a couple of titles and themes. Tight Fit are a British pop group who had a number of hits in the early 1980s, including a UK No.1 (for three weeks) with their cover version of "The Lion Sleeps Tonight" in 1982. British Electro-soul quartet's one and only single caught the pirate radio boom. Writer Kenton Nix would co-write Here Comes The Hotstepper Longstanding politicised LA melodic punks, weirdly successful in Germany though they've reached the US top 20 albums as recently as 2013 and guitarist Brett Gurewitz runs Epitath who had The Offspring on their roster at the time. Singer Richard Warren later explored noisy electro as Echoboy and acclaimed lo-fi blues under his own name

One of many projects by New Jersey house DJ and producer Roland Clark, who has worked with Todd Terry, Armand van Helden and Roger Sanchez and been sampled by Fatboy Slim and Katy Perry Let Me Go" (labelled as "Let Me Go!" on the sleeve of the single) is a single by Heaven 17, taken from (and released several months before) their second album The Luxury Gap. Hard funk group formed by Randy Muller, formerly of Brass Construction, which soon had to change their name to First Circle Influential German electronic composer and synth maker is here on a technicality as Wonder Dog's Ruff Mix (number 31 in September 1982, promoted by label boss Simon Cowell in a blue dog jumpsuit) was a reworking of one of his tunes

Though it's impossible to tell these things when they're going on, it seems clear Britpop couldn't go any further. But it had to, because everything around it hadn't - in fact it might have helped the change of government that April - and as a result it was surely too big to fail. Once Oasis had played to 250,000 at Knebworth in August 1996 the only way they could have continued was to get even bigger and bloatier, only for Be Here Now to spring a slow puncture unable to hold the girth of its songs, production and promotion alike. Blur let Graham take the controls and released their unashamedly transatlantic-eyed self-titled album early in the year - it contained a single that nearly ate the world, but it wasn't a Parklife/Great Escape continuation. Supergrass released a matured album pointedly called In It For The Money. Pulp retreated after the Brits fiasco of 1996, re-emerged in November with Help The Aged and in a not unconnected move lost key member Russell Senior. Suede and the Manic Street Preachers crested and, aside from arena shows, rested, waiting for things to die down. There was Catch. Not, obviously, the disco-funk Honky that reached the top 30 in 1977 but a London urban poetry/post-Daisy Age duo positively compared to De La Soul at the time just when nobody wanted De La Soul themselves. The production end later became surely the only person to produce both Groop Dogdrill and Louise for the academic world: for school, primary, secondary, high school, middle, technical degree, college, university, undergraduate, master's or doctoral degrees; In what amounts to a history of the last twenty-five years of popular music, respected music journalist Garry Mulholland has compiled a list of the 500 greatest singles since The Sex Pistols' seminal "Anarchy in the UK"*. In incisive, outspoken and informative essays, Mulholland challenges the accepted standpoint of music journalism to produce an entertaining, nostalgic and provocative read. Incidentally, the title comes from a 1977 entry in the book by the Rezillos.

Theme from Harry's Game" is a song performed by the Irish group Clannad, which was written and composed by Pól Brennan and Ciarán Brennan. Ronco is an American company that manufactures and sells a variety of items and devices, most commonly those used in the kitchen. A house record called Feel It is replaced at 41 by another house record called Feel It. What are the chances, eh? Produced by Giacomo Maiolini, a hugely important figure in Eurohouse whose label gave us the Outhere Brothers and the Tamperer New!!: Raiders of the Pop Charts and Dave Stewart (keyboardist)· See more » Do You Really Want to Hurt Me Californian power poppers had peaked at 42 with Whose Problem? three months earlier and would take off over the next couple of years at home with two number 9 singles. Also reached the Australian top ten twice with two records that weren't hits here or at home.